One of the most popular funk groups of the 1970s, War were also one of the most eclectic, freely melding soul, Latin, jazz, blues, reggae, and rock influences into an effortlessly funky whole. Although War's lyrics were sometimes political in nature (in keeping with their racially integrated lineup), their music almost always had a sunny, laid-back vibe emblematic of their Southern California roots. The band kept the groove loose, and they were given over to extended jamming; in fact, many of their studio songs were edited together out of longer improvisations. Even if the jams sometimes got indulgent, they demonstrated War's truly group-minded approach: no one soloist or vocalist really stood above the others (even though all were clearly talented), and their grooving interplay placed them in the top echelon of funk ensembles.
The musicians comprising War first played together in various Los Angeles-area bands in the ’60s, including one called Nightshift that backed the football star Deacon Jones.
In 1969, former Animals singer Eric Burdon joined up with Nightshift members Howard E. Scott, Lee Oskar, Thomas “Papa Dee” Allen, Charles Miller, B.B. Dickerson, Lonnie Jordan, and Harold Ray Brown. They began performing as War, and their first album, 1970’s Eric Burdon Declares “War”, went Top 20 and yielded the No. 3 single “Spill the Wine.”
War’s first performance in London, in September 1970, was also Jimi Hendrix’s last. The guitar legend sat in with the group the night before his death.
Burdon bowed out of War after a debilitating asthma attack while on tour in Europe, though they had already recorded a second album. The Black-Man’s Burdon came out late in 1970.
With Burdon out of the picture, War released a self-titled album 1971 that barely cracked the Billboard 200 albums chart. Later that year, War released All Day Music, the first of four consecutive gold albums, all of which went Top 20.
War’s fifth album, 1972’s The World Is a Ghetto, spent 68 weeks on Billboard 200, including two at No. 1. The album included a pair of Top 10 hits: the title track reached No. 7, while “The Cisco Kid” peaked at No. 2.
Two of War’s most popular songs came from their 1975 LP Why Can’t We Be Friends: the title track reached No. 6, and “Low Rider” made it to No. 7.
After releasing the poorly performing 1976 LP Love Is All Around, a collection of previously unreleased songs recorded with Burdon in the band’s early years, War returned to the Top 20 with another 1976 album, Platinum Jazz (No. 6), and 1977’s Galaxy (No. 15).
War were beset by line-up changes and declining commercial fortunes in the ’80s, when their highest charting album was 1982’s Outlaw, which stalled out at No. 48.
In a nod to War’s influence on hip-hop, the band approved the 1992 compilation Rap Declares War, featuring samples of War’s music in songs by De La Soul, The Beastie Boys, Too $hort, and Brand Nubian, among others.
• In 2008, Burdon reunited with War—featuring Jordan as the lone original member—onstage in London. It was their first performance together since 1970. Jordan’s new version of War released the album Evolutionary in 2014.
Hi. We are Jay Siegan Presents. We are the talent liaisons that curate, ideate, and connect you to the right artists to transform special events into experiences of a lifetime. Our roots are those of musicologists and culture hawks, deeply embedded in the living performing arts. This is the foundation of our work, the soul of our business, and what we've been doing for over 25 years. We have the capacity and capability to bring any artist from anywhere in the world to your event.
We are the talent liaisons that curate, ideate, and connect you to the right artists to transform special events into experiences of a lifetime. Our roots are those of musicologists and culture hawks, deeply embedded in the living performing arts. This is the foundation of our work, the soul of our business, and what we've been doing for over 25 years. We have the capacity and capability to bring any artist from anywhere in the world to your event.
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